A conductor is the soul of an orchestra. He commands the attention of performers onstage and the audience with his distinct charisma and style. His role resembles that of an army commander, except that he leads with his baton, communicating with the members of the orchestra through artistic rapport and technical brilliance to present insightful interpretations of each piece of music. A conductor must also have a broad vision, intellectual accomplishments, and resourceful creativity to be an impetus to the orchestra for continual growth and development. The development of any musical genre requires a growing repertoire of works; and the performance of each work rests upon intelligent interpretation.
The first and second International Conducting Competition for Chinese Music was initiated and organized by the Hong Kong Chinese Orchestra in 2011 and 2014 respectively. It enjoyed the keen support of experts, music conservatories and institutes in China and other parts of the world, with success and to wide acclaim. A total of 97 entries from all over the world was received. The third International Conducting Competition for Chinese Music will be co-organized by the Hong Kong Chinese Orchestra and National Chinese Orchestra Taiwan. Such a competition is considered not only a rewarding initiative to groom young talents in conducting, but also a milestone in the development of Chinese orchestral music.
B. Impressions of Yungang Grottoes Cheng Dazhao
Please click for the Competition Information
• The Participant must be born on or after 1 January 1972, and
• The Participant must have experience in conducting an orchestra, or be currently studying Conducting as a major in a conservatory of music
• Champion, First Runner-up and Second-Runner-up
• Outstanding Young Conductor of Hong Kong
• Outstanding Young Conductor of Taiwan
• Best Interpretation of a Work on Hong Kong
• Best Interpretation of a Work on Taiwan
• Audience's Favourite (Voted by the audience on the spot)
• Musicians' Choice (Voted by members' of the Hong Kong
• Chinese Orchestra and National Chinese Orchestra Taiwan)
First Round
12-17/12/2016 Xiqu Centre of Taiwan, Taipei
The panel of judges will assess the participants on the basis of the video recordings submitted before 31 October, 2016, and announce the list of participants selected before January 2017.
Second Round
5-9/7/2017 Xiqu Centre of Taiwan, Taipei
The participants will conduct National Chinese Orchestra Taiwan in playing two works selected for the Second Round Competition:
A. Compulsory Piece: Formosa Capricci (Excerpts) Wang I-Yu (Work selected for competing for the Best Interpretation of a Work on Taiwan prize)
B. Competitors in this round will draw lots to determine which work he/she will conduct among the following two:
Moonlight over the Spring River Ancient Melody Arr. by Qin Pengzhang and Luo Zhongrong or
As the Moon Rises (Excerpts) Ancient Melody Arr. by Peng Xiuwen
Semi-final Competition
10-15/7/2017 Hong Kong Chinese Orchestra Recital Hall
The semi-final comprises two parts: sight-reading at rehearsal (to test the ability to correct mistakes and read scores quickly) and conducting a rehearsal with the Hong Kong Chinese Orchestra.
A. Sight-reading and correcting mistakes: participants will be informed of the work chosen after entering the simi-finals
B. Works for conducting:
Symphonic Poem Flowing Water Peng Xiuwen
Jing‧Qi‧Shen Chan Ming-chi (Work selected for competing for the Best Interpretation of a Work on Hong Kong prize)
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