In the 1980’s, he proposed the remodeling of the sheng and, together with Mou Shanping, developed 37-reed, semitone keyed version, which resolved the problem of “one player performing with more than one sheng”. The new model can play set tunes in Chinese folk music as well as modern works and Western music. It was therefore hailed as the “number one sheng for solo performance in China”. It won a Class Three Technology Advancement Award from the Ministry of Culture, China.
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